214 bars of 3/4 -- not four -- at 76 BPM, 9:42 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 45-56, 135-146 and 188-191 -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 58 times: bars 1, 2, 4, 6, 8, 9 and 52 more.
11 more fills are written out on the fills page.
214 bars across 24 sections: 112 keep time, 58 are fills, 13 are stops and 3 are silent. The longest unbroken stretch of time is bars 136-148.
76 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
214 bars, about 9:42 at the written tempo. The course breaks it into 83 exercises over 29 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 58 times: bars 1, 2, 4, 6, 8, 9 and 52 more.