131 bars of 6/4 -- not four -- at 84 BPM, 8:09 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 10-18 and 28-36 -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 23 times: bars 9, 27, 40, 42, 43, 46 and 17 more.
4 more fills are written out on the fills page.
131 bars across 15 sections: 52 keep time, 23 are fills, 15 are stops and 32 are silent. The longest unbroken stretch of time is bars 11-18.
84 BPM, in 6/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 63 out of 100; the rest of the number is everything around it.
131 bars, about 8:09 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 23 times: bars 9, 27, 40, 42, 43, 46 and 17 more.