85 bars of 4/4 at 143 BPM, about 2:23 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 55-56, 58-60 and 62-64, and 1 more place -- 15.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 8 times: bars 22, 23, 24, 69, 77, 78 and 2 more.
85 bars across 7 sections: 53 keep time, 8 are fills, 3 are stops and 12 are silent. The longest unbroken stretch of time is bars 51-68.
143 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
85 bars, about 2:23 at the written tempo. The course breaks it into 30 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 22, 23, 24, 69, 77, 78 and 2 more.