82 bars of 4/4 at 145 BPM, about 2:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35-41, 63-69 and 71-77 -- 25.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 12 times: bars 5, 17, 29, 33, 34, 42 and 6 more.
4 more fills are written out on the fills page.
82 bars across 9 sections: 56 keep time, 12 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 9-16.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
82 bars, about 2:15 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 5, 17, 29, 33, 34, 42 and 6 more.