126 bars of 4/4 at 135 BPM, about 3:44 of playing, on crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 26, 28 and 30, and 21 more places -- 21.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 14 times: bars 1, 9, 21, 67, 68, 69 and 8 more.
3 more fills are written out on the fills page.
126 bars across 10 sections: 78 keep time, 14 are fills, 8 are stops and 15 are silent. The longest unbroken stretch of time is bars 24-40.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
126 bars, about 3:44 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 1, 9, 21, 67, 68, 69 and 8 more.