199 bars of 4/4 at a walking 85 BPM, 8:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 80-82, 84-86 and 128-130, and 4 more places -- 10.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 40 times: bars 36, 37, 40, 41, 44, 45 and 34 more.
13 more fills are written out on the fills page.
199 bars across 16 sections: 93 keep time, 40 are fills, 14 are stops and 32 are silent. The longest unbroken stretch of time is bars 160-171.
85 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
199 bars, about 8:51 at the written tempo. The course breaks it into 68 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 40 times: bars 36, 37, 40, 41, 44, 45 and 34 more.