131 bars of 4/4 at a walking 87 BPM, 5:48 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 92-95, 97-98 and 116-126 -- 13.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 fills to learn, played 50 times: bars 8, 12, 14, 15, 16, 17 and 44 more.
15 more fills are written out on the fills page.
131 bars across 10 sections: 61 keep time, 50 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 69-79.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
131 bars, about 5:48 at the written tempo. The course breaks it into 51 exercises over 17 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 50 times: bars 8, 12, 14, 15, 16, 17 and 44 more.