84 bars of 4/4 at a walking 79 BPM, 4:15 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 21-22, 25-26 and 29, and 5 more places -- 18.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 18 times: bars 6, 10, 12, 16, 18, 20 and 12 more.
2 more fills are written out on the fills page.
84 bars across 10 sections: 50 keep time, 18 are fills, 5 are stops and 4 are silent. The longest unbroken stretch of time is bars 70-80.
79 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
84 bars, about 4:15 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 18 times: bars 6, 10, 12, 16, 18, 20 and 12 more.