152 bars of 3/4 -- not four -- at 120 BPM, 4:30 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 13-14, 16-17 and 19-20, and 9 more places -- 14.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 11 times: bars 12, 51, 65, 83, 99, 103 and 5 more.
5 more fills are written out on the fills page.
152 bars across 14 sections: 84 keep time, 11 are fills, 40 are stops and 1 is silent. The longest unbroken stretch of time is bars 13-23.
120 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
152 bars, about 4:30 at the written tempo. The course breaks it into 47 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 11 times: bars 12, 51, 65, 83, 99, 103 and 5 more.