153 bars of 4/4 at 124 BPM, about 4:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 57-72, 97-111 and 137-144 -- 26.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 7 times: bars 32, 56, 96, 112, 116, 120 and 1 more.
153 bars across 13 sections: 99 keep time, 7 are fills, 29 are stops and 6 are silent. The longest unbroken stretch of time is bars 58-78.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 25 out of 100; the rest of the number is everything around it.
153 bars, about 4:56 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 32, 56, 96, 112, 116, 120 and 1 more.