86 bars of 4/4 at a walking 100 BPM, 3:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 18, 20 and 22, and 9 more places -- 16.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 14 times: bars 17, 21, 23, 34, 38, 42 and 8 more.
7 more fills are written out on the fills page.
86 bars across 13 sections: 45 keep time, 14 are fills, 5 are stops and 13 are silent. The longest unbroken stretch of time is bars 57-67.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
86 bars, about 3:25 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 14 times: bars 17, 21, 23, 34, 38, 42 and 8 more.