59 bars of 4/4 at 125 BPM, about 1:40 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27-34 -- 14% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 10 times: bars 9, 10, 11, 12, 13, 15 and 4 more.
59 bars across 9 sections: 33 keep time, 10 are fills, 11 are stops and 2 are silent. The longest unbroken stretch of time is bars 27-34.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
59 bars, about 1:40 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 9, 10, 11, 12, 13, 15 and 4 more.