100 bars of 4/4 at 124 BPM, about 3:14 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 9 more places -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 27 times: bars 8, 14, 15, 16, 24, 25 and 21 more.
5 more fills are written out on the fills page.
100 bars across 9 sections: 55 keep time, 27 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 33-41.
124 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
84 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
100 bars, about 3:14 at the written tempo. The course breaks it into 38 exercises over 15 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 27 times: bars 8, 14, 15, 16, 24, 25 and 21 more.