139 bars of 4/4 at 140 BPM, about 3:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 21-23, 25-27 and 29-31, and 5 more places -- 17.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 39 times: bars 10, 14, 16, 18, 24, 28 and 33 more.
18 more fills are written out on the fills page.
139 bars across 15 sections: 68 keep time, 39 are fills, 19 are stops and 3 are silent. The longest unbroken stretch of time is bars 116-124.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
139 bars, about 3:58 at the written tempo. The course breaks it into 54 exercises over 12 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 39 times: bars 10, 14, 16, 18, 24, 28 and 33 more.