151 bars of 4/4 at 153 BPM, about 3:57 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-6, 9-10 and 27, and 12 more places -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 19 times: bars 8, 20, 52, 56, 59, 60 and 13 more.
9 more fills are written out on the fills page.
151 bars across 16 sections: 103 keep time, 19 are fills, 2 are stops and 6 are silent. The longest unbroken stretch of time is bars 91-99.
153 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
151 bars, about 3:57 at the written tempo. The course breaks it into 53 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 19 times: bars 8, 20, 52, 56, 59, 60 and 13 more.