134 bars at 170 BPM -- fast, and 3:09 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11, 13 and 15, and 16 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 40 times: bars 12, 14, 16, 18, 24, 25 and 34 more.
7 more fills are written out on the fills page.
134 bars across 10 sections: 78 keep time, 40 are fills, 3 are stops and 1 is silent. The longest unbroken stretch of time is bars 87-100.
170 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
134 bars, about 3:09 at the written tempo. The course breaks it into 40 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 40 times: bars 12, 14, 16, 18, 24, 25 and 34 more.