122 bars at 160 BPM -- fast, and 2:59 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11, 42-44 and 46-48, and 6 more places -- 17.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 50 times: bars 5, 6, 9, 13, 14, 17 and 44 more.
11 more fills are written out on the fills page.
122 bars across 9 sections: 54 keep time, 50 are fills, 6 are stops and 2 are silent. The longest unbroken stretch of time is bars 26-32.
160 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
122 bars, about 2:59 at the written tempo. The course breaks it into 42 exercises over 13 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 50 times: bars 5, 6, 9, 13, 14, 17 and 44 more.