103 bars of 4/4 at 116 BPM, about 3:32 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4, 6 and 8, and 20 more places -- 25.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 20 times: bars 13, 21, 33, 34, 35, 40 and 14 more.
4 more fills are written out on the fills page.
103 bars across 12 sections: 42 keep time, 20 are fills, 26 are stops and 8 are silent. The longest unbroken stretch of time is bars 91-96.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
103 bars, about 3:32 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 20 times: bars 13, 21, 33, 34, 35, 40 and 14 more.