122 bars of 5/4 -- not four -- at 158 BPM, 3:11 of playing on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 30-36, 38-39 and 50-52 -- 10.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 34 times: bars 8, 20, 24, 25, 26, 27 and 28 more.
6 more fills are written out on the fills page.
122 bars across 11 sections: 67 keep time, 34 are fills, 3 are stops and 9 are silent. The longest unbroken stretch of time is bars 109-119.
158 BPM, in 5/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
122 bars, about 3:11 at the written tempo. The course breaks it into 46 exercises over 15 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 34 times: bars 8, 20, 24, 25, 26, 27 and 28 more.