52 bars of 4/4 at a walking 86 BPM, 2:25 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 9-11 and 29-31 -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 4 times: bars 8, 28, 48 and 52.
52 bars across 9 sections: 32 keep time, 4 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 37-47.
86 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
75 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 19 out of 100; the rest of the number is everything around it.
52 bars, about 2:25 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 4 times: bars 8, 28, 48 and 52.