105 bars of 4/4 at a walking 107 BPM, 3:56 of playing, on crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 65-90 and 101-104 -- 29.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 9 times: bars 24, 28, 32, 50, 54, 58 and 3 more.
2 more fills are written out on the fills page.
105 bars across 6 sections: 81 keep time, 10 are fills, 6 are stops and 3 are silent. The longest unbroken stretch of time is bars 66-90.
107 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
105 bars, about 3:56 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 23 minutes each.
crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 9 times: bars 24, 28, 32, 50, 54, 58 and 3 more.