116 bars of 4/4 at 150 BPM, about 3:06 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29-31, 33-34 and 61-63, and 7 more places -- 20.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 33 times: bars 6, 8, 10, 12, 20, 28 and 27 more.
6 more fills are written out on the fills page.
116 bars across 9 sections: 63 keep time, 33 are fills, 3 are stops and 8 are silent. The longest unbroken stretch of time is bars 51-58.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
116 bars, about 3:06 at the written tempo. The course breaks it into 27 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 33 times: bars 6, 8, 10, 12, 20, 28 and 27 more.