132 bars of 4/4 at 153 BPM, about 3:27 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5-24 and 39-48 -- 26.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 22 times: bars 28, 32, 52, 56, 64, 68 and 16 more.
5 more fills are written out on the fills page.
132 bars across 12 sections: 77 keep time, 22 are fills, 5 are stops and 20 are silent. The longest unbroken stretch of time is bars 5-23.
153 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
132 bars, about 3:27 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 22 times: bars 28, 32, 52, 56, 64, 68 and 16 more.