243 bars at 180 BPM -- fast, and 5:24 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 50-52, 54-55 and 102, and 15 more places -- 24.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 46 times: bars 53, 56, 57, 65, 73, 77 and 40 more.
10 more fills are written out on the fills page.
243 bars across 20 sections: 145 keep time, 47 are fills, 4 are stops and 21 are silent. The longest unbroken stretch of time is bars 28-45.
180 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
243 bars, about 5:24 at the written tempo. The course breaks it into 65 exercises over 19 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 46 times: bars 53, 56, 57, 65, 73, 77 and 40 more.