230 bars of 4/4 at 153 BPM, about 6:01 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 3-13, 99-100 and 200-202, and 3 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 28 times: bars 14, 26, 34, 54, 58, 70 and 22 more.
15 more fills are written out on the fills page.
230 bars across 21 sections: 154 keep time, 28 are fills, 19 are stops and 2 are silent. The longest unbroken stretch of time is bars 122-138.
153 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
230 bars, about 6:01 at the written tempo. The course breaks it into 77 exercises over 22 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 28 times: bars 14, 26, 34, 54, 58, 70 and 22 more.