119 bars, 5:57, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 77-79, 81-83 and 121-123 -- 6.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 63 times: bars 6, 16, 17, 18, 22, 24 and 57 more.
17 more fills are written out on the fills page.
142 bars across 15 sections: 45 keep time, 63 are fills, 10 are stops and 8 are silent. The longest unbroken stretch of time is bars 1-5.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
74 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 66 out of 100; the rest of the number is everything around it.
119 bars, about 5:57 at the written tempo. The course breaks it into 60 exercises over 20 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 63 times: bars 6, 16, 17, 18, 22, 24 and 57 more.