138 bars of 4/4 at a walking 100 BPM, 5:34 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 123-137 -- 11% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
19 fills to learn, played 39 times: bars 8, 10, 12, 14, 16, 17 and 33 more.
15 more fills are written out on the fills page.
138 bars across 13 sections: 82 keep time, 39 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 124-137.
100 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 77 out of 100; the rest of the number is everything around it.
138 bars, about 5:34 at the written tempo. The course breaks it into 62 exercises over 22 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
19 fills to learn, played 39 times: bars 8, 10, 12, 14, 16, 17 and 33 more.