120 bars of 4/4 at 120 BPM, about 4:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 33-38, 65-70 and 81, and 6 more places -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 15 times: bars 24, 27, 28, 32, 56, 60 and 9 more.
2 more fills are written out on the fills page.
120 bars across 13 sections: 72 keep time, 15 are fills, 24 are stops and 1 is silent. The longest unbroken stretch of time is bars 6-23.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
120 bars, about 4:00 at the written tempo. The course breaks it into 36 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 15 times: bars 24, 27, 28, 32, 56, 60 and 9 more.