125 bars of 4/4 at 113 BPM, about 4:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 37-44, 75-81 and 107-112 -- 18.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 36 times: bars 12, 18, 19, 20, 26, 27 and 30 more.
4 more fills are written out on the fills page.
125 bars across 14 sections: 58 keep time, 36 are fills, 7 are stops and 11 are silent. The longest unbroken stretch of time is bars 116-122.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
125 bars, about 4:25 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 36 times: bars 12, 18, 19, 20, 26, 27 and 30 more.