94 bars of 4/4 at a walking 85 BPM, 4:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-21, 23-27 and 47-49, and 5 more places -- 28.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 10 times: bars 6, 17, 34, 60, 62, 64 and 4 more.
1 more fill is written out on the fills page.
94 bars across 8 sections: 71 keep time, 10 are fills, 2 are stops and 2 are silent. The longest unbroken stretch of time is bars 76-91.
85 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
94 bars, about 4:25 at the written tempo. The course breaks it into 29 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 6, 17, 34, 60, 62, 64 and 4 more.