104 bars of 4/4 at 118 BPM, about 3:32 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 53-55, 57-59 and 80, and 4 more places -- 17% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 8 times: bars 12, 48, 60, 68, 72, 76 and 2 more.
3 more fills are written out on the fills page.
104 bars across 10 sections: 77 keep time, 8 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 26-36.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
104 bars, about 3:32 at the written tempo. The course breaks it into 39 exercises over 12 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 8 times: bars 12, 48, 60, 68, 72, 76 and 2 more.