119 bars of 4/4 at 150 BPM, about 3:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 25, 27 and 29, and 27 more places -- 30.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 13 times: bars 32, 48, 56, 64, 72, 76 and 7 more.
3 more fills are written out on the fills page.
119 bars across 12 sections: 62 keep time, 13 are fills, 18 are stops and 21 are silent. The longest unbroken stretch of time is bars 16-23.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
119 bars, about 3:10 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 32, 48, 56, 64, 72, 76 and 7 more.