47 bars, 2:46, at 68 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, mid tom, floor tom and kick and nothing else.
The beat the song is built on is a 2-bar phrase, played through bars 11-13, 15 and 29, and 1 more place -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 4 times: bars 16, 18, 33 and 34.
47 bars across 6 sections: 34 keep time and 4 are fills. The longest unbroken stretch of time is bars 1-9.
68 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 66 out of 100; the rest of the number is everything around it.
47 bars, about 2:46 at the written tempo. The course breaks it into 23 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 4 times: bars 16, 18, 33 and 34.