76 bars, 4:19, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 38-40, 42-44 and 54-56, and 1 more place -- 17.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 13 times: bars 21, 33, 37, 41, 45, 49 and 7 more.
5 more fills are written out on the fills page.
76 bars across 12 sections: 38 keep time, 13 are fills and 12 are silent. The longest unbroken stretch of time is bars 70-76.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
76 bars, about 4:19 at the written tempo. The course breaks it into 35 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 21, 33, 37, 41, 45, 49 and 7 more.