274 bars, 17:21, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 165-166, 168-169 and 176-178, and 6 more places -- 30.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
22 fills to learn, played 61 times: bars 54, 56, 58, 60, 62, 64 and 55 more.
18 more fills are written out on the fills page.
274 bars across 18 sections: 118 keep time, 61 are fills, 4 are stops and 85 are silent. The longest unbroken stretch of time is bars 202-244.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
274 bars, about 17:21 at the written tempo. The course breaks it into 62 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 61 times: bars 54, 56, 58, 60, 62, 64 and 55 more.