265 bars of 4/4 at 142 BPM, about 7:25 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 19, 21 and 23, and 21 more places -- 11.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30 fills to learn, played 124 times: bars 11, 12, 13, 14, 15, 16 and 118 more.
28 more fills are written out on the fills page.
265 bars across 13 sections: 75 keep time, 124 are fills, 16 are stops and 38 are silent. The longest unbroken stretch of time is bars 254-265.
142 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 16 out of 100; the rest of the number is everything around it.
265 bars, about 7:25 at the written tempo. The course breaks it into 76 exercises over 23 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 124 times: bars 11, 12, 13, 14, 15, 16 and 118 more.