56 bars of 4/4 at 152 BPM, about 1:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 33-34, 36-38 and 40-43 -- 18% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 17 times: bars 1, 14, 15, 22, 28, 35 and 11 more.
5 more fills are written out on the fills page.
56 bars across 13 sections: 24 keep time, 17 are fills, 4 are stops and 6 are silent. The longest unbroken stretch of time is bars 18-21.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
56 bars, about 1:28 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 17 times: bars 1, 14, 15, 22, 28, 35 and 11 more.