55 bars of 4/4 at 152 BPM, about 1:28 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 31-32, 35-36 and 39-40, and 1 more place -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 15 times: bars 5, 26, 27, 33, 34, 38 and 9 more.
3 more fills are written out on the fills page.
55 bars across 7 sections: 33 keep time, 15 are fills, 4 are stops and 3 are silent. The longest unbroken stretch of time is bars 12-21.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
55 bars, about 1:28 at the written tempo. The course breaks it into 16 exercises over 5 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 5, 26, 27, 33, 34, 38 and 9 more.