83 bars of 4/4 at 111 BPM, about 2:58 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 17-18 and 20-22, and 3 more places -- 14.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 32 times: bars 1, 3, 4, 5, 6, 12 and 26 more.
8 more fills are written out on the fills page.
83 bars across 10 sections: 36 keep time, 32 are fills and 2 are stops. The longest unbroken stretch of time is bars 18-22.
111 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
57 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
83 bars, about 2:58 at the written tempo. The course breaks it into 39 exercises over 10 sittings, about 31 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 32 times: bars 1, 3, 4, 5, 6, 12 and 26 more.