105 bars of 4/4 at a walking 87 BPM, 4:49 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2-14 and 84-86 -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 23 times: bars 30, 36, 37, 38, 47, 51 and 17 more.
5 more fills are written out on the fills page.
105 bars across 11 sections: 60 keep time, 23 are fills, 9 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-14.
87 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 0 out of 100; the rest of the number is everything around it.
105 bars, about 4:49 at the written tempo. The course breaks it into 43 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 23 times: bars 30, 36, 37, 38, 47, 51 and 17 more.