118 bars of 4/4 at 120 BPM, about 3:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 18-31 and 57-70 -- 28% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 7 times: bars 16, 40, 103, 113, 115, 117 and 1 more.
2 more fills are written out on the fills page.
118 bars across 17 sections: 79 keep time, 7 are fills, 7 are stops and 18 are silent. The longest unbroken stretch of time is bars 19-36.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
118 bars, about 3:56 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 7 times: bars 16, 40, 103, 113, 115, 117 and 1 more.