110 bars of 4/4 at 152 BPM, about 2:54 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 1-8, 25-27 and 35-42, and 3 more places -- 31.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 12 times: bars 28, 31, 34, 62, 65, 71 and 6 more.
110 bars across 14 sections: 73 keep time, 12 are fills, 2 are stops and 7 are silent. The longest unbroken stretch of time is bars 1-13.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
110 bars, about 2:54 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 28, 31, 34, 62, 65, 71 and 6 more.