85 bars of 4/4 at 150 BPM, about 2:23 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 59-64, 67-73 and 76 -- 18.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 18 times: bars 20, 21, 22, 47, 48, 49 and 12 more.
3 more fills are written out on the fills page.
85 bars across 8 sections: 49 keep time, 18 are fills, 2 are stops and 11 are silent. The longest unbroken stretch of time is bars 5-19.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
85 bars, about 2:23 at the written tempo. The course breaks it into 26 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 18 times: bars 20, 21, 22, 47, 48, 49 and 12 more.