113 bars of 4/4 at 125 BPM, about 3:37 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13, 21 and 26, and 5 more places -- 20.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 26 times: bars 11, 17, 18, 20, 22, 23 and 20 more.
9 more fills are written out on the fills page.
113 bars across 13 sections: 46 keep time, 26 are fills, 15 are stops and 16 are silent. The longest unbroken stretch of time is bars 83-88.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 23 out of 100; the rest of the number is everything around it.
113 bars, about 3:37 at the written tempo. The course breaks it into 41 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 26 times: bars 11, 17, 18, 20, 22, 23 and 20 more.