764 bars, 41:27, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 61-63, 65-67 and 69-72, and 24 more places -- 27.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
48 fills to learn, played 181 times: bars 6, 7, 8, 9, 10, 11 and 175 more.
44 more fills are written out on the fills page.
764 bars across 35 sections: 313 keep time, 181 are fills, 13 are stops and 222 are silent. The longest unbroken stretch of time is bars 290-309.
75 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
764 bars, about 41:27 at the written tempo. The course breaks it into 118 exercises over 36 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
48 fills to learn, played 181 times: bars 6, 7, 8, 9, 10, 11 and 175 more.