143 bars at 175 BPM -- fast, and 3:16 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-10, 13-14 and 17-18, and 3 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 12 times: bars 11, 12, 16, 19, 29, 30 and 6 more.
4 more fills are written out on the fills page.
143 bars across 17 sections: 84 keep time, 12 are fills, 18 are stops and 19 are silent. The longest unbroken stretch of time is bars 124-139.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
143 bars, about 3:16 at the written tempo. The course breaks it into 47 exercises over 15 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 12 times: bars 11, 12, 16, 19, 29, 30 and 6 more.