150 bars of 4/4 at a walking 95 BPM, 6:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 19-21, 23-26 and 34, and 5 more places -- 26.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
8 fills to learn, played 10 times: bars 22, 43, 44, 59, 72, 73 and 4 more.
5 more fills are written out on the fills page.
150 bars across 16 sections: 72 keep time, 10 are fills, 40 are stops and 12 are silent. The longest unbroken stretch of time is bars 93-101.
95 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
150 bars, about 6:07 at the written tempo. The course breaks it into 55 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 10 times: bars 22, 43, 44, 59, 72, 73 and 4 more.