264 bars at 200 BPM -- fast, and 5:17 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 65-71, 73-78 and 81-87, and 1 more place -- 10.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 fills to learn, played 66 times: bars 4, 8, 12, 14, 15, 16 and 60 more.
23 more fills are written out on the fills page.
264 bars across 16 sections: 119 keep time, 67 are fills, 46 are stops and 16 are silent. The longest unbroken stretch of time is bars 114-120.
200 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 21 out of 100; the rest of the number is everything around it.
264 bars, about 5:17 at the written tempo. The course breaks it into 80 exercises over 25 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 66 times: bars 4, 8, 12, 14, 15, 16 and 60 more.