66 bars, 3:24, at 75 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 2, 4 and 10, and 6 more places -- 15.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 10 times: bars 34, 38, 44, 56, 59, 61 and 4 more.
1 more fill is written out on the fills page.
66 bars across 9 sections: 41 keep time, 10 are fills and 1 is a stop. The longest unbroken stretch of time is bars 11-19.
75 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
66 bars, about 3:24 at the written tempo. The course breaks it into 29 exercises over 11 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 34, 38, 44, 56, 59, 61 and 4 more.