133 bars of 4/4 at a walking 102 BPM, 5:07 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 27-29, 31-33 and 93-95, and 2 more places -- 10.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 11 times: bars 9, 15, 34, 38, 56, 87 and 5 more.
6 more fills are written out on the fills page.
133 bars across 22 sections: 85 keep time, 11 are fills, 10 are stops and 4 are silent. The longest unbroken stretch of time is bars 71-86.
102 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
133 bars, about 5:07 at the written tempo. The course breaks it into 61 exercises over 19 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 11 times: bars 9, 15, 34, 38, 56, 87 and 5 more.